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Liang Shanbo and Zhu Yingtai

Liang Shanbo and Zhu Yingtai (Picture 1)


Violin Concerto "Liang Shanbo and Zhu Yingtai" by He Zhanhao, Chen Gang composer. Written and debuted in 1959. The author was a young student at the Shanghai Conservatory of Music. In order to explore the nationalization of symphonic music, they chose this well-known folklore as the theme, drawing lessons from the opera in the song as a material, successfully created this single music, with the title of the violin concerto.

"Liang Shanbo and Zhu Yingtai" describes Liang Zhenbo and Zhu Yingtai two true love, the feudal ethical education of the angry complaints and flogging, reflecting the people's anti-feudal thoughts and feelings, as well as the sympathy of this love tragedy.

The structure of the music is a sonata, which consists of a primer, a presentation, a development, and a reproduction. The author selected from the story "grass bridge sworn", "Yingtai anti-marriage" and "grave butterfly" three main plot, respectively, as the music presentation department, expansion and reproduction of the content. The author uses the sonata in the Western concerto, which shows the dramatic contradictions and conflicts. And absorb the Chinese opera in the rich performance techniques, which makes it both symphonic and national characteristics.

Presentation section: music into the lively, cheerful theme of the rondo. Solo and the band alternately, describing the Liangzhu classmates when reading the life scene. Legend of Zhu Yingtai disguised as men to read, on the way and Liang Shanbo acquaintance, the two love and cohesion, sworn brothers. This music theme is the performance of Liang Shanbo and Zhu Yingtai when reading the scene, and later love the story.

Expanded part: brass played the theme of the performance of the brutal feudal forces. Followed by the violin performance Zhu Yingtai painful mood. The band with a strong full play, set off the main violin violent cut the chords to play the theme of resistance. Gradually formed a climax of the conflict, more and more intensified. Then the music worsened, Zhu Yingtai in Liang Shanbo's grave cry, the use of opera in the slow pull slowly singing techniques.

Reproduction part: music brings us into the deified mood. When Zhu Yingtai crashed into the stone, the tomb opened, Zhu Yingtai put in, from the grave flying a pair of butterflies, we once again heard that familiar "love theme". All the people are moved by the Butterfly Lovers, sympathy for their fate, people unwilling to end the tragedy, because we are looking forward to a better life in the future. A pair of butterflies dancing, flying far away, to find the real belongs to their happiness, and to the world left an infinite reverie.

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